My work centers on themes of visibility, reclamation, and the reshaping of societal narratives around space, value, and memory. By engaging with urban environments, marginalized histories, and cultural symbols, I explore how overlooked entities—whether people, animals, or public icons—can reclaim significance within our shared spaces. Using projection, dialogue, and visual storytelling, I delve into the unspoken hierarchies we impose on our surroundings: the pigeons we dismiss, the skateboarders finding freedom in constraints, and the monuments that demand to be reconsidered. Each piece becomes an invitation to question what we deem valuable or worthy of space, challenging viewers to rethink the boundaries of inclusion and reimagine a landscape where all forms of life, expression, and memory coexist and resonate in unexpected ways.
The Lives of Pro Skaters… Sort of?
This mockumentary offers a humorous glimpse into the lives of a group of friends, including my brother, who took up skateboarding as their go-to pandemic pastime during lockdown. While the documentary showcases their real skateboarding skills, the story is interwoven with exaggerated, comedic moments that playfully blur the line between fact and fiction. This film captures the camaraderie, creativity, and unconventional spirit that emerged from their shared passion, bringing to light a slice of skate culture through a playful lens.
BMonumental ; Interview With James Earl Reid.
This interview features James Earl Reid, the renowned American sculptor best known for his iconic statue of Billie Holiday in Baltimore, Maryland, and his powerful work Third World America, which played a central role in the landmark 1989 U.S. Supreme Court case Community for Creative Non-Violence v. Reid. In this conversation, Reid reflects on the cultural and symbolic significance of the pedestal for the Billie Holiday statue, offering insights into how its design amplifies her legacy. He also delves into the timely discussion of what to do with the now-vacant pedestals of former Confederate statues, exploring possibilities for reimagining these spaces in a way that fosters inclusivity and represents contemporary values.
Land Here -
Projecting larger-than-life images of pigeons on the side of THE MART building is a creative way to grant these birds a symbolic space to exist and be appreciated within the urban environment. Pigeons are a common sight in the city of Chicago, yet most of us pay little attention to them. Once revered allies, they are now misunderstood urban inhabitants, often regarded as pests. This shift in perception is not merely an evolution in our relationship with pigeons; it's a reflection of our broader societal attitudes towards what we deem 'useful' or 'valuable.' Bird spikes on the buildings’ facade serve as a stark reminder of how we, as a society, have treated these birds we once relied on for messages, surveillance, and entertainment. Despite our changed relationship with them, we have collectively deemed them unworthy of our spaces. This project seeks to challenge the normalization of hostility and rejection towards pigeons and all beings, humans included. This space is offered to them, a gesture of coexistence and understanding.